| Vol. I, No. 8 | Fall 2002 |
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Mendi Lewis Obadike, keeping up appearances, a hypertextimonial Francie
Shaw and Bob
Perelman, Playing Bodies Southern Perils: Women Experimental Poets of the South Co-ordinated by Camille Martin Andy
Young Co-ordinated by Kimberly Lamm Interview with Eileen Myles by Kimberly Lamm Eileen Myles, “Flowers,” “Rosie's Poem” Kimberly Lamm, “‘One Lighting the Other, Seductively’: James Schuyler, Eileen Myles, and the Sexuality of Literary Influence” Short commentaries on recent writing by: Pam Brown, “Cassie Lewis's High Country” Frances Presley, “A Folio for Fanny Howe” Rusty Morrison, “Valerie Coulton's Passing World Pictures” Arielle Greenberg, “Three Recent Books from Omnidawn” Jeanne Heuving, “Life Studies of a Different Ilk: Hinge, A BOAS Anthology” Renata Morresi on “We Who Love to Be Astonished” |
Co-ordinated by Redell Olsen Andrea Brady, “Parrots” Gwynne Garfinkle, “After Sappho” Judith Goldman, “Losing” Deborah Harland, “I Solations” Susan Johanknecht, “Modern (Laundry) Production” Sophie Levy, “The Echo Foxtrot” Kristin Prevallet, “Merge” Rosanne Wasserman, “Boustrophedon”
Kristin
Prevallet
from “Merge” forum “‘Memoire/Anti-Memoire’: New York City Women Writers Recall September 11, 2001” Co-ordinated by Laura Hinton Laura Hinton, Introduction Suheir Hammad, “First Writing Since” Jamie Callan, “Locating the Pain” Linsey Abrams, “The New Century” Laura Hinton, “The Hole I Cannot See: Smoke and Fragments in New York City” Ann Lauterbach, “What is a Day?” Daniela Gioseffi, “September 11th, Meagan's Birthday” Jane Augustine, “History” Mei-mei Berssenbrugge, “Safety”
Rachel Blau DuPlessis's Drafts 1-38, Toll: A Roundtable Chris Tysh, “Gloss on ‘Fosse, Draft XXX’” Harriet Tarlo, “‘Origami Foldits’: Rachel Blau DuPlessis's Drafts 1-38, Toll” Libbie Rifkin, “Little Words and Redemptive Criticism: Some Points on Drafts” |
Co-ordinated by Catherine Daly Catherine Daly, “Scanning Lola Ridge” Catherine Daly, “Verses (1905)” Renee Angle, “The Ghetto and Other Poems (1918)” Lorraine Graham, “Sun-Up and Other Poems (1920)” Julia Lisella, “Firehead (1929)” Catherine Daly, “Dance of Fire (1935)”
“Truth While Climbing the Stairs”: A Rosmarie Waldrop Feature Edited and Introduced by Kornelia Freitag Joan Retallack and Rosmarie Waldrop, “A Conversation” Kimberly Lamm, “Gender in a Minor Key: Rosmarie Waldrop's A Key into the Language of America” Deborah Meadows, “Rosmarie Waldrop and the Poetics of Embodied Philosophy” Linda Russo, “Poetics of Inflection: Rosmarie Waldrop and The Reproduction of Profiles” Marjorie Perloff, “‘A Small Periplus along an Edge’: Rosmarie Waldrop's Auto-Graphs” Brian Reed, “‘Splice of Life’: Rosmarie Waldrop Renews Collage” Susan Vanderborg, “A Tale of Two Keys: Rosmarie Waldrop's Poetics of the Book” Bobbi Lurie, “Meditation on Certainty” Jennifer Moxley, “A Personal Reminiscence Chronicling the First Documented Case of ‘The Waldrop Effect’” H.D. and Translation Auxeméry, “La Chambre Noire” Auxeméry, “Camera oscura,” trans. by Rachel Blau DuPlessis Marina Camboni, “Living Between Two Languages” Sawako Nakayasu, Barbara Guest, Susan Friedman, Edward Butscher, Tatiana Petrovich Njegosh
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