Investigation of the poetics/politics of intentionality may be considered as a significant element of this section, as well as questions of canon formation, public access, the reviewing process, etc. These writings may be original or reprinted (by permission), and will include conference papers relevant to the HOW2 project. Reflections on the poem-making process are encouraged, as well as more formal essays. The guest editor for this issue is Ann Vickery (see bio below). Guest editor for H2/n3 to be announced.
Ann Vickery --
Guest Editor
Ann
Vickery is a Research Fellow at Macquarie University. She is currently
working on a project on Australian women poets, modernism, and sexuality.
She has written a number of articles on Australian and American innovative
poetry and poetics. Her book, presenting a feminist genealogy of Language
writing, will be published by Wesleyan University Press next year.
Myung
Mi Kim
"Anacrusis" (from Page Mothers conference)
Lynn
Keller & Cristanne Miller
Gender and Avant-Garde Editing: Comparing the 1920s with the 1990s (a
collaborative talk from the Page Mothers conference)
Pamela
Lu
"Idiom: A Story of Anti-Production" (from Page Mothers conference)
Robin
Tremblay-McGaw
Class,
Gender, Genre: A Culture Bomb, The Letters of Mina Harker by Dodie
Bellamy
Kathleen
Fraser
"The Uncontainable" (from new essay collection)
Frances
Presley
"The Grace of Being Common" on Denise Riley
Marianne
DeKoven
"Why James Joyce Was Accepted and I Was Not"
Carla
Harryman
"Women's Writing: A Bit of Hybrid Thinking on Contingent Hierarchies
and Reception" (from Page Mothers conference)
Harryette
Mullen
"Not Struck Dumb but Logodaedalyly Phonofounded: The Vernacular Heteroglossaries
of Fran Ross's OREO" (from Page Mothers conference) &
an excerpt from OREO
go to this issue's table of contents
