skip to content
Click here to return to the Piper Center home page

HAYDEN'S FERRY REVIEW

SPRING/SUMMER 2000
ISSUE 26

 

Table of Contents

 

Fiction

 

Chad Unrein
Yards [10]

David Shields
The Society [54]

 

Nonfiction

 

Peter Rennick
Interview, What Poetry Demands: The Spiritual Journey of Linda Gregg [39]

Jerry Williams
L.A. [56]

 

Poetry

 

Maidi L. Terry
untitled [6]

Jean Valentine
Door in the Mountain [7]

Leila Wilson
To Know You in the Country [8]

Robin Becker
The Wood Lot [9]

Sofia M. Starnes
Coat [21]

Stuart Dischell
The Elevation [22]
A Tenant at Will [23]

Jeff Halbert
Between the Sheets [24]

Mary Baron
Reluctant Love Poem [25]

Peter Rennick
Mar Y Sol [26]
I Thought of Their Daring [27]
Some Other Word for Love [28]

Scott Topper
Rothko [29]

Maura Stanton
Encounter on an Italian Beach [30]

Joyce Sutpen
The Apostate's Creed [32]

Matthew Lippman
I Suppose the Sadness of Things [33]

Steve Price
Dear Mr. Korf, [34]

Linda Gregg
Not Knowing the Rules [48]
The Presence in Absence [49]
As Is [50]

Michol Stout
Glimmerings [51]

Leslie Ullman
Via Amor [52]

Jay Schneiders
Palpation [55]

Tim Seibles
Welcome Home [65]

 

Art

 

Rosemary Powelson
If Wishes were Horses [35]

Blair Rainey
Cooksville, Illinois [36]
Old LaSalle Street Station [37]

 

Special Section: Images of Labor [70]

 

Joe Sances
Fight in the Fields [71]

Walter Bargen
The Believer [72]

Luisa Villani
Watching the Mayan Women [73]

Debra Marquart
Chores [74]

Robert Specter
Amtrak to Topeka [78]

E. Michael Desilets
Railroad Union Spiders [79]

Sherry Fairchok
A White Lampshade [80]

Oliver de la Paz
Strawberry Pickers in the Northern Philippines [82]

Michelle Valois
La Nortena [83]

Hayan Charara
Pretty Little Fishing Spot [89]

Vivian Shipley
Ode on a Beet [96]

Ken Karagozian
Donna--Heavy Equipment Operator, Hollywood, CA [98]
Chuck & Friend--Hollywood, CA [99]

Gary Buslik
Bastion [100]

Luis Urrea
Lines for Neruda [121]

Images of Labor
Suggested Titles [123]

Contributors [124]

Hayden's Ferry Review Issue 26 Cover

 

Issue 26 Staff

 

Managing Editor
Salima Keegan

Assistant Managing Editor
Lisa Petty

Poetry Editors
Julie Parker
Rashid Robinson

Fiction Editors
Michael Guerra
Richard Yanez

Editorial Advisor
Melissa Pritchard

Associate Editors
Thomas Bonfiglio
Jennifer Claire Chapis
Mary-Catherine Ferguson
Andrea Foege
Mark Garrigan
Tim Hohmann
Tayari Jones
Boyd A. Jorden
Michael Murphy
Sean M. Nevin
Lisa Petty
Elissa Minor Rust
Maureen White

Editorial Assistants
Patrick Bears
Irena Praitis
Stephanie Reeves
Serene T. Santi

Copy Editors
Irena Praitis
Kevin Vaughan-Brubaker

Marketing
Tracy Singer

Special Section Editors
Michael Guerra
Richard Yanez

 

< Back to older archives

 


 

Poetry Selection – Linda Gregg, Not Knowing the Rules

The two white-bellied antelope stood still
as I approached on the farm road at evening,
and three birds flew away. The air was clear
the way it is on the desert after rain,
the sky bright. I was wondering why,
besides the beauty, I was there. And how close
I felt to death. Waiting for the heart
to revive. Between objects and desire.
I waded on through the brilliant light
that comes here just before dark, shining
on the grass in front of me from the back.

^ Back to contributors


 

Fiction Selection – From Chad Unrein's Yards

Jenks and I are at war because I moved into his sweetheart's house and I don't cut the grass. He comes to visit most nights with a spade full of cat shit that he slings onto my front porch. When he's finished the deed he stands out there in the moonshine like a little powdered troll waiting for the house to fall down on me. The nights he doesn't come I get worried. There's something reassuring about the sound of that dung being scattered in the night. It means he cares. The nights he doesn't come I worry he's given up.

I used to be a little embarrassed about the fact that my cat Cash, liked to shit on Jenks's welcome mat. I used to be a little concerned about all the notes Jenks left in my mail box, all the terrible things he said he'd do to my cat. But now it's more of a game between us. Now I let Cash slide out the door at night like a little greased commando, and I watch him through the window as he crosses the street with stealth to Jenks's front door. Later in the night, Jenks will return the favor. He'll grab his little gardening spade and gather up the stinking gift Cash has left him and head for my house. Sometimes I see him coming across the street under the yellow lamplight. He doesn't look purposeful like an angry man should. He looks a little apprehensive like the whole neighborhood is watching him. He starts from the nightshade of his porch and moves through the halo of the lamplight quickly when he is most exposed. And then he is in my front yard. He brings the shovel from his hip, and I have to listen hard to hear Cash's mess scatter on the porch.

^ Back to contributors

< Back to older archives

Virginia G. Piper Center for Creative Writing
P. O. Box 875002
Arizona State University
Tempe, AZ 85287-5002
(480) 965-6018 phone
(480) 727-0820 fax
Contact Us
Contact Webmaster