Vol. 2 Issue 3 |
Spring 2005 |
Strange Loops of the Infinite
Revisiting Nicole Brossard: coordinated by Jodi Lundgren and Kelly-Anne Maddox Nicole Brossard, Ecrivaine Nicole Brossard, Auther Kate Eichhorn,To Revisit: A Transitive Verb? A babel translation of Nicole Brossard’s Journal Intime + commentary Nicole Brossard, Susan Rudy, Anne-Marie Wheeler, “words looking for another possibility”: Dialogue sur la traduction à propos d'”Écrivaine” Ghislaine Boulanger, A Feigned Essentialism in Nicole Brossard’s Work Jodi Lundgren, “A Girl in Combat in the City of Men”: The Civic, Resistant, Ontological Woman in the Work of Nicole Brossard Maureen E. Ruprecht Fadem, “bringing me into the world”: Brossard’s Lovhers and the Domain of Linguistic Survival Nancy Gillespie, Before and after écriture au féminin: Uncanny Gothic connections in Nicole Brossard’s These Our Mothers Or: The Disintegrating Chapter, and Mauve Desert translations . o O coordinated by Sawako Nakayasu
portrait of Akiko Fujiwara Akiko Fujiwara, translated by Malinda Markham Koike Masayo, translated by Hiroaki Sato Kyong-Mi Park, translated by Sawako Nakayasu Hirata Toshiko, translated by Hiroaki Sato Hinako Abe, translated by Jeffrey Angles Yoko Isaka, translated by Eric Selland and Sawako Nakayasu Takarabe Toriko, translated by Hiroaki Sato
in conference ( Andrea Brady Note on the Contemporary Writing Environments Conference Christina Makris The Mapping of Meaning in Madeline Gins’ and Arakawa’s Architectural Body Robert Stanton “Hard to say where / this occurs”: Domestic and Social Space and the Space of Writing in Rae Armantrout’s Work Isabel Haarhaus ‘Migrant Poetics’ in New Zealand Literature: Janet Frame and Riemke Ensing Unsettle the Settlers Alicia Cohen “Nature is a Haunted House—but Art—a House that tries to be Haunted”: Los Angeles, Trauma, and Orphic Anxiety in the Work of Jack Spicer
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new media coordinated by Redell Olsen
snapshot of from marble to pixels by Influenza Influenza, from marble to pixels Ceridwen Buckmaster, A Sentence in France Kate Gallon, Find Me Emanuelle Waeckerle, VINST Brigid Mc Leer, In Place of the Page = new writing = ‘The Upside-Down Door’: 14 Poets Featuring work by:
Jane Sprague work/book + ^
Joan Jonas, An Improvisation, at Queens Museum of Art, New York, 2004 (photo by Jaishri Abichandani) Joan Jonas, Susan Howe & Jeanne Heuving, An Exchange Joel Bettridge, A Conversation with Juliana Spahr )postcard coordinated by Lauren Shufran and Alli Warren
Susan Schultz, Joyelle McSweeney, Alice Jones, Victoria Brown, Louise Crabtree, Zacharee Schomburg, Isabel Haarhaus, Ann Vickery, Cassie Lewis, Mark Leahy, Jane Sprague… Barbara Guest Memory Bank Postcard a gathering of brief memoirs and BG poems (selected by her readers) to honor the life and writing of Barbara Guest 1920-2006 |
coordinated by Featuring work by: Edlyn Ang
coordinated by Mary Chapman Magpie Habits: Alice Duer Miller’s Suffrage Poetry and the Poetics of Quotation Rebecca Stelzer “The White Cliffs”: Literature and War in the Days of Radio alerts Short commentaries on recent and notable publications Julia Bloch on Rosmarie Waldrop’s Love, Like Pronouns Alicia Cohen on Jeanne Heuving’s Incapacity Sarah Anne Cox on Yedda Morrison’s Crop Shira Dentz on Julie Carr’s MEAD An Epithalamion and Evelyn Reilly's Hiatus Jean Mills, Violence into Speech—Lessons from the Home Front in Virginia Woolf’s Three Guineas Sina Queyras, Lines Composed Indoors While Contemplating the Weather: on Lisa Robertson’s The Weather Oriel Winslow, Linda A. Kinnahan's Lyric Interventions Mairéad Byrne, Open Field: 30 Contemporary Canadian Poets
On Hannah Weiner’s Early and Clairvoyant Journals Put on Your Red Shoes and Dance in PaperTiger Volume #4 in' print up date ^editor's note ^ Strange Loops of the Infinite, “Strange loops of the infinite” is a curious and elegant phrase. It originates in ‘Écrivaine’ by Nicole Brossard and appears in this issue’s critical feature on Brossard’s work... [continued] How(ever) Archive [1983-1992], and How2, Vol. 1 No. 1-8 and Vol. 2 No. 1-2 |
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