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about this section:

Brief commentaries/ new scholarly finds/ research projects-in-process, improvised conversations concerning books of original poetry & other innovative written forms, including responses to new works of scholarship. We want to know how you are thinking about the works you are reading by women writers in the modernist or experimentalist traditions. Poets, scholars, students, readers are invited to contribute to this section. Send suggestions or finished speculations to: Kate Fagan <[email protected]>

 

Frances Presley
“Metablethers of Getha,” Review of Noctivagations by Geraldine Monk

Anne Jamison
“‘When I am dead my dearest...’: Modernism Remembers and Forgets Rossetti,” Review of Rossetti in Woolf and Pound

Laura Hinton
Review of American Women Poets in the 21st Century: Where Lyric Meets Language, eds. Claudia Rankine and Juliana Spahr

Geraldine McKenzie
Review of Architectural Body by Madeline Gins and Arakawa

Brian Teare
“‘Reject rejoice rejuvenate’: Reframing the Criticism of Women's Experimental Poetics,” Review of We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics, eds. Laura Hinton and Cynthia Hogue

Jane Sprague
Review of Given by Arielle Greenberg


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