Investigation of the poetics/politics of intentionality may be considered as a significant element of this section, as well as questions of canon formation, public access, the reviewing process, etc. These writings may be original or reprinted (by permission), and will include conference papers relevant to the HOW2 project. Reflections on the poem-making process are encouraged, as well as more formal essays. Bios and photos are always requested; when they don't appear, it is at the discretion of the writer.
Moving
Borders: a four-way response
Bebe Barefoot, Nicole Willey, Kathrynn Seidler, Libbie Rifkin
"Trying
to forget about what you are told you can & cannot do": Filmmaker,
Pelle Lowe
in conversation with Camille Norton
Dolphin Sightings: Adventures in Reading Barbara
Guest
by Sara Lunquist
"Ingeborg
Bachmann's Malina (1971): Wittgensteinian Poetics"
by Georgette Fleischer
"send
me something drawen on paper"
mixed media in Dickinson's kitchen
by Aife Murray
Papers from the New Modernisms conference, Penn State, October 1999 [Guest-editors: Linda Kinnahan and Elisabeth Frost]
Essays by:
Introduction by Linda Kinnahan: Who Are We That Read: A Collection of Essays from "Modernist and Contemporary Women Poets"
Kathleen Crown on H.D. & Susan Howe
Elisabeth Frost on Susan Howe/Antinomian Tradition
Deborah M. Mix on Stein/Hejinian
Susan Rosenbaum on Loy/Notley
Linda Russo on Gender
Elizabeth Savage on Riding/Retallack
Lesley Wheeler on Medbh McCuckian/ H.D.
Elisabeth Frost Modernist Studies Association Seminar on Modern & Contemporary Women Poets
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