skip to content
Click here to return to the Piper Center home page

HAYDEN'S FERRY REVIEW

SPRING/SUMMER 1998 ISSUE 22

 

Table of Contents

 

Fiction

 

Debra Kay Vest
Artificial Snow [11]

John Metzger
Hopscotch [21]

William Black
Highwire Acts [45]

David W. Chiles
Resurrections [69]

 

Poetry

 

Jon Pineda
Losing a Memory [8]
Every so Often [9]

Jane Satterfield
Machinery [10]

Terri Brown-Davidson
Snow Layering Rooftops [14]
Aquarium Dark [15]

Joshua Keen
Rebuilding the Tinman [16]

David W. Ellis
To a Grower of Cotton, a Believer in the Ever-After [17]
To my Father: A Narrative Built From a Roadside Fruitstand [18]

Andrew Zawacki
Parallax [36]

Kristy Nielsen
Fishing [37]

Marianne Botos
Unexpected [39]

Nan Cohen
Suspicious Wife Plate [40]
Little Desires and How They Grew [40]

Rosa Aleala
Even the Light has Darkened [58]

Andrea England
My Father's Nipples [60]

Amy S. Withrow
To the Young woman Who Tore "Insomnia" from Elizabeth Bishop's Complete Book of Poems [61]

Catherine Hammond
Sound Eye and Coyote Dick at Apache Lake [62]

Cathy Eisenhower
Valentine's Jane [64]

Jill Divine
Killing the Possum [66]

Allan Peterson
Bringing Desire to the Fields [75]
Beautiful Math [76]

 

Art

 

Nancy Selvin
1. Trompete [20]

Kirsten Stolle
Are There Really Other Fish in the Sea? [38]

Jane Burgunder
fair sex [44]

Dana Fritz
Leaf [57]

Jerry Sampson
India [68]

Steve O'Loughlin
Freeway Man

 

Special Section: Images and Imaginations: Writers of the Southwest [78]

 

Tamarra Kaida
Western Mythology [79]

Kathleen Sullivan Porter
The Amazement of Reality: An Interview with Alfredo Vea, Jr. [81]

Alfredo Vea Jr.
Prologo

Hershman R. John
Two Bodies of Elements [96]
The Dark World [99]

Tamara Jane
Undertow [102]

Adam Johnson
The History of Cancer [111]

Contributors [120]

Hayden's Ferry Review Issue 22 Cover

 


Issue 22 Staff

 

Managing Editor
Salima Keegan

Poetry Editors
Jorn Ake
Maximilian S. Werner

Fiction Editors
Christopher Melka

Art Editor
Dianne Cripe

Editorial Advisor
Melissa Pritchard

Special Section Editors
Fiction: Kathleen Sullivan Porter
Poetry: Jorn Ake
Art: Dianne Cripe

Associate Editors
Lisa May Giles
Tanya Heflin-Ellis
Susan Hood
Heather Marie Kernen
Rick Liljegren
Jessica Sisto

Editorial Assistants
Susan Allspaw
Monica Flint
Rick Liljegren
Maura Mackowski
Julie Parker

Copy Editors
Maura Mackowski

 

< Back to older archives

 


 

Poetry Selection – Jon Pineda, Every So Often

The porch swing moves, slightly
shudders in the wind.

The girl inside watches from the window,
her chin on the sill; she is still

young, too young to equate an empty swing
with a young boy's family she has left

in the kitchen, talking with her family.
She hears her name

in someone else's mouth,
hears the boy's name and looks

at the swing again. This time
it is still and stays.

^ Back to contributors


 

Fiction Selection – Alfredo Vea, Jr., Prologo

I died some time ago. Soy mujer de historia. I passed away. No, no, don't be sad. Those words have lost their meaning for me. I could just as easily have said that I've changed my mind. Really, all tha happened was that I changed my mind.

I certainly can't be sure when it happened--the exact moment. If you've ever swum beneath the surface of a pond that's been allowed to go still. . .if you could hold your breath long enough (and I have no problem with that now) so there were no waves on the surface, you would be hard-pressed to tell whether you were beneath the surface or above it. You could reach above your head to touch the margin between air and water and see your own reflection reaching. Then you could fragment it, touch the surface, make the margin chaos. Are you above or below? It does not good to look around because things are moving with you. It gets even more complicated when you realize that neither man nor woman is the measure of all things. I, for one, certainly can't be sure, even now.

Did I tell you that I am convinced that when Christ walked upon the waters, He made the very same statement: that there is as much below as above, that there is as much before as after?

^ Back to contributors

< Back to older archives