| PRESS ROOM San
Jose Mercury News
Lisa M. Krieger
December 28, 2009
Questions
raised over Tech Museum job of president's wife
Shortly
after arriving in San Jose from Germany to take over the then-struggling
Tech Museum of Innovation, Peter Friess decided the city-subsidized
showpiece needed to hire somebody to spruce up its image.
The
job came with a two-year, $400,000 contract and free office
space. So, who'd The Tech hire?
German
graphic designer Birgit Binner - Friess' wife.
Now,
some museum employees are growing quietly concerned about
the cozy relationship. Some are alarmed that Binner's contract
could be renewed in March and question whether it's right
for a museum president's spouse to land such a job at a nonprofit
that San Jose taxpayers fuel with $1.3 million a year and
virtually free rent.
"It's
not illegal, but it best be well-justified," said Patricia
Lewis of the Lodestar Center For Philanthropy & Nonprofit
Innovation at Arizona State University. Hiring relatives "is
usually not something most nonprofits engage in because they
are held to such a high standard of public trust."
Museum
board members defend the contract and say Friess was not in
the room when the board chose Binner, who offered the lowest
bid. Friess also does not directly supervise his wife.
Binner
did not return phone calls over three weeks, and Friess was
unavailable for comment due to "business travel,"
according to The Tech spokesman Roqua Montez.
To
be sure, The Tech has seen a resurgence under Friess' leadership,
rebounding after years of decline and attracting wildly popular
traveling exhibits like the 2007 "Body Worlds 2"
and the 2008 "Leonardo: 500 Years into the Future."
But
critics question hiring Binner at her high contract while
the museum is cutting back and eliminating staff; the museum
has cut its staff in half during the past decade.
For
instance, they point to the display boxes Binner designed
for The Tech. She charged the museum $135,550 for the design
of the boxes, which hold educational material about the museum's
exhibits. Museum officials said it was part of her $400,000
contract.
Binner's
business, called TG2B, is not charged rent for its 1,200-square-foot
office at The Tech's business offices at 145 West San Carlos
Street. Another group, the San Jose Jazz Society, also gets
free rent but unlike TG2B is a nonprofit business.
Binner
landed the job in 2008 after her husband decided that the
museum needed a consultant to upgrade The Tech's image.
Eight
candidates competed for the contract and Binner was the best,
according to board member Jami Dover Nachtsheim, who was a
member of the small group that narrowed the list to three
finalists. Nachtsheim says Binner had the most museum experience
and submitted the lowest bid. When the board voted on Binner's
contract, Friess stepped out of the room, Nachtsheim said.
"It
is difficult in the Bay Area to find people with museum experience
in corporate branding," said Nachtsheim.
But
Tech staffers, who did not want to be quoted by name due to
fear of reprisal, said Binner did not submit a formal portfolio
when seeking the contract, unlike other bidders. The Tech
did not make her portfolio or the application requirements
available.
"Peter
and Nachtsheim went out of their way to ensure that the criteria
used for final agency selection made Birgit the only choice,"
such as wanting an on-site presence-a preference only Binner
met, said one employee.
San
Jose taxpayers have a direct interest in the financial dealings
of The Tech, a charitable organization that receives millions
of dollars in grants and contributions each year. The city
put up $49 million in redevelopment funds- nearly half the
$113 million construction cost- and leases out the facility
for only $1 a year to The Tech. The city also provides $1.3
million a year of the museum's budget, which this year is
$14 million.
Because
they're not government employees, Friess and Binner aren't
subject to state laws regulating hiring of family members,
said city attorney Rick Doyle.
"There
appears to be a conflict of interest- the appearance that
she got the contract because she is married to the CEO. That
is the challenge for the board to address and respond to,"
said Susan Meier of the Washington, D.C.-based Board Source,
a national nonprofit organization that educates boards about
management.
"Appearances
can be as damaging as an actual conflict," said Meier.
Binner
and Friess collaborations
The
couple has a history of working together on other museum projects.
Before arriving in San Jose in 2006, Binner and Friess collaborated
on several endeavors in Germany, Switzerland and for the Smithsonian
Institution in Washington, D.C., including:
- Co-creators
of The Tech's 2008 "Nobel Voices: Celebrating 100 Years
of the Nobel Prize"
- "Luceum,"
a September 2006 Geneva-based exhibit at a clock museum;
Binner did the display design; Friess, a watchmaker, wrote
the exhibit text and catalog
- "Deutsches
Museum Bonn," where Friess was project manager and
Binner did design in Bonn, Germany, 2000-02
Friess
has a reputation for making museums the center of his life
"His
personal and professional lives are really merged," colleague
and friend Art Molella, director of the Smithsonian's Center
for the Study of Invention and Innovation told the Silicon
Valley/San Jose Business Journal in 2006.
Source: Mercury News reporting
The
contract
The purpose of Binner's two-year contract, launched in the
spring of 2008, "is meant to establish The Tech Museum
as an immediately recognizable brand that reflects every aspect
of what we do, from the first point of contact with the visitor
to how employees feel about the organization," according
to Tech spokesman Roqua Montez. It will "ensure clarity
and consistency throughout the organization."
Contact
reporter Lisa M. Krieger at 408-920-5565 or lkrieger@mercurynews.com.
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